Musical acoustics based on the pure third-system by Kornerup, Thorvald Otto

Cover of: Musical acoustics based on the pure third-system | Kornerup, Thorvald Otto

Published by W. Hansen [etc., etc.] in Copenhagen & Leipzig .

Written in English

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Subjects:

  • Musical intervals and scales,
  • Music -- Acoustics and physics

Edition Notes

Book details

Statementby Thorvald Kornerup. Text-book for the use at universities, polytechnical academies, colleges of music, and for private students. Tr. by Phyllis Augusta Petersen.
Classifications
LC ClassificationsML3809.K74 M8
The Physical Object
Pagination112 col.
Number of Pages112
ID Numbers
Open LibraryOL6649660M
LC Control Number22023769
OCLC/WorldCa1941884

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Limitations and terminology of musical acoustics. Part I. The Intervals: If Art. The one-sided Pythagorean system: "the Perfect Fifth", based on abstract speculation. 19 Art. Opposition to "the Pythagorean Fifth- system"; the founders of "the Third-system".

25 Art. The natural tones as fundamental to "the pure Third-system". Part II. Musical acoustics based on the pure third-system. Text-book for the use at universities, polytectical academies, colleges of Musical acoustics based on the pure third-system book, and for private studentsPages: Musical Acoustics Based on the Pure Third-System.

Text-Book for the Use at Universities, Polytectical Academies, Colleges of Music, and for Private Students: Kornerup, Thorvald Otto : LibrosFormat: Pasta dura. Additional Physical Format: Online version: Kornerup, Thorvald Otto, Musical acoustics based on the pure third-system.

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Fast and free shipping free returns cash on delivery available on eligible : Thorvald Otto Kornerup. This book is a balanced presentation of all aspects of musical acoustics. It explains how our ears and brains interpret musical events, and connects traditional physical analyses to musical reality.

The purpose of the book is two fold: (1) To help readers use simple physical concepts as tools for understanding how music works, and (2) To use Reviews: Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, psychophysics, organology (classification of the instruments), physiology, music theory, ethnomusicology, signal processing and instrument building, among other a branch of acoustics, it is concerned with researching and describing the physics of music – how sounds are.

Musical Acoustics based on the Pure Third System. IN this little book the author discusses very fully the relations of the pitches of the notes in the various scales in just intonation and in.

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Musical acoustics presents a unique opportunity to see science and art working together. This book is a balanced presentation of all aspects of musical acoustics.

It explains how our ears and brains interpret musical events, and connects traditional physical analyses to musical reality. Texts on acoustics approach the subject from many different angles and at many different levels.

Pierce's text is classic, rigorous and complete. It should serve the needs of serious students of acoustics for a variety of purposes - musical acoustics Reviews: 5. ISBN: OCLC Number: Description: xii, pages: illustrations ; 25 cm: Contents: 1. Preliminaries to a study of musical acoustics: Musical acoustics: the meeting place of music, vibration physics, auditory science and craftsmanship ; The organization of this book ; A brief operating manual Impulsive sounds, alone and in sequence: Sequences of impulsive.

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Pure Acoustics was established to fulfill the need for high quality speakers of. Fundamentals of acoustics 25 c RTk/M (m s 1) (1) Figure Sound generation illustrated. (a) The piston moves right, compressing air as in (b).

(c) The piston stops and reverses direction, moving left and decompressing air in. topic of musical acoustics tend to be either very copy as well as an e-book on CD-ROM.

The CD-ROM version contains hyperlinks to interesting websites related to music and musical instruments. instrument will be based on largely up to the student.

PHYSICS AND. This is a one-of-a-kind book on the physics of musical instruments. However, be aware that it is a book about physics ONLY. There are no hints or exercises on how to model musical instruments, nothing on acoustics or psychoacoustics, synthesis, etc.

Principles of Musical Acoustics by William Hartmann is part of the Springer series Undergraduate Lecture Notes in Physics, and it reads very much like a set of lectures honed over many years of teaching. Hartmann has taught musical acoustics at Michigan State University since and is known for his text Signals, Sound, and Sensation (Springer, ).).

His new book consists of 27 short. Musical Tone Generation Musical Instrument Action Excitation (plucking, striking) Source-driven (bowing, blowing) 1D vibration (string, pipe) 2D vibration (bar, drum) Sound Newton “Lawof motion” Rayleigh “Wave Properties of Sound”.

You can see from the other answers what a nest of snakes this subject is. There is no simple answer and it all tends to depend on what your goals are. If you plan on applying to a major university, what you need to know is very different from what. Current discussions on the objective attributes contributing to concert hall quality started formally in with the publication of Leo Beranek’s book “Music, Acoustics, and Architecture”.

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Music Entertainment Systems. Personal & Portable. Bluetooth. Musical acoustics presents a unique opportunity to see science and art working together. This book is a balanced presentation of all aspects of musical acoustics. It explains how our ears and brains interpret musical events, and connects traditional physical analyses to musical reality.

The purpose. IACMA – International Advanced Course on Musical Acoustics, July Fundamentals of Room Acous tics - Octávio Inácio 25 - Early-to-late energy ratios are based on a time subdivision of the. Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio, multimedia and communications systems.

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Musical acoustics - Wikipedia, the free encyclopedia 11/07/13 Synthesis of musical sounds Music cognition, based on physics (also known as psychoacoustics) Physical aspects and is heard as a very pure tone.

Pure tones can be produced by tuning forks or whistling. The rate at which the air pressure oscillates is. The Music Theory behind Acoustics and Harmonics If you were to break music down into pure mathematics, you would end up dealing with acoustics and harmonics.

An instrument’s acoustics and harmonics define that instrument’s unique sound; they’re also the reason you rarely hear songs that use a tuba or a bassoon for the lead instrument. Landmark book by leading expert, hailed for its astonishingly clear, delightfully readable explication of everything acoustical important to music-making.

"Comprehensive rigorous well-organized will surely be the text of choice." — American Scientist. "Recommended for music lovers and audiophiles" — Stereo Review. Over This book comprises twelve articles which cover a range of topics from musical instrument acoustics to issues in psychoacoustics and sound perception as well as neuromusicology.

In addition to experimental methods and data acquisition, modeling (such as FEM or wave field synthesis) and numerical simulation plays a central role in studies. A harmonic series (also overtone series) is the sequence of frequencies, musical tones, or pure tones in which each frequency is an integer multiple of a fundamental.

Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both. The Audio Programming Book Edited by Richard Boulanger and Victor Lazzarini The Computer Music Tutorial More on the website Software Major packages we’ll use: Pure Data graph-based sound language public domain SuperCollider client-server based sound synthesis language The (musical acoustics).

Psychology (psychoacoustics, music. Principles of musical acoustics by Hartmann is an excellent book to start with, which covers most of the topics in general.

Fundamentals of Musical Acoustics by Benade is also another good choice but is just a bit old. Specifically for musical instrument acoustics, as mentioned, the one by Fletcher &.

The frequency ranges of most musical instruments fall between about 50 Hz and Hz. The range of frequencies that an individual can hear varies with age and other individual factors.

The period of a wave, T, is the time it takes for the wave to complete one cycle, measured in s/cycle.Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles.

The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical.Pierce Allan (), Acoustics, Acoustical Society of America [This book provides a comprehensive discussion of the basic principles of acoustics] Resnick R., Halliday D.

and Krane K. (), Physics Vol. 1, 4th edition, John Wiley and Sons [This book presents an elementary discussion of the basic principles of acoustics].

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